No. 59 (2025): Tipologías, esculturas y colores

Monografía

The colour of wood in medieval and Renaissance choir stalls in Spanish territories

María Dolores Teijeira Pablos

17-39
- PDF (Español (España))
Translucent alabaster in Aragon

Carmen Morte García

41-77
- PDF (Español (España))
About the colour of tabernacles until the beginning of the counter-reformation

Aintzane Erkizia Martikorena

79-107
- PDF (Español (España))
The Whiteness of Profane Sculpture in 18th-Century Spain

María Teresa Cruz Yábar

109-143
- PDF (Español (España))

Miscelánea

Why are women silent? Preaching Queens, Saints, and Nuns in the visual culture of the Golden Age

Juan Luis González

147-170
- PDF (Español (España))
Hidden languages. Restoration and iconological study of an unpublished painting of «The Agony in the Garden»

Rafael Domínguez Casas, Eduardo Azofra Agustín, Alejandra del Barrio Luna, Tomás Gil Rodrigo

171-195
- PDF (Español (España))
Murillo and the North: the case of Michael Sweerts

Ronni Baer

197-211
- PDF (Español (España))
The Marquess of El Carpio welcomes his visitors with a riddle: A Women Gallery in the reception room of «The Garden of Saint Joachim»

Teresa Posada Kubissa

213-233
- PDF (Español (España))
A temple of both fame and infamy: Portuguese emblems and satire during the War of Restoration

Jeremy Roe

235-266
- PDF (Español (España))
Three unknown works by José Risueño

Manuel García Luque

267-278
- PDF (Español (España))
A painting of the «Communion of the Virgin» attributed to Lorente Germán

Jesús Porres Benavides

279-291
- PDF (Español (España))
Interventions in the Royal Chapel of San Isidro in Madrid during the 18th Century

Esteban Ángel Cotillo Torrejón

293-313
- PDF (Español (España))
Biographical data, work and style of Miguel Malmonge y Carranza (active between 1786-1806). On the «trompe-l’oeil» of a «Scrambled table with various objects, papers and a portrait of Charles IV, King of Spain», signed in 1806

Ismael Gutiérrez Pastor

315-345
- PDF (Español (España))
A new history painting by Esquivel, present in «Contemporary Poets»

José Luis Díez

347-358
- PDF (Español (España))
The Estebian Baths of Pompeii as scenographic heritage in the 19th Century Painting: The Attribution of Sorolla’s «baños»

Ana Valtierra Lacalle

359-379
- PDF (Español (España))

Reseñas

Indépels, Louis (2024). «"El Jardín de las delicias". Un día en el mundo del Bosco»

Iván González Sánchez

383-387
- PDF (Español (España))
«"Pedro Orrente. Un artista itinerante en la España del Siglo de Oro": una exposición necesaria» – Museo de Bellas Artes de Valencia (10 de julio-12 de octubre de 2025)

José Luis Cueto Martínez-Pontrémuli

389-395
- PDF (Español (España))

Full Issue

Monografía

The colour of wood in medieval and Renaissance choir stalls in Spanish territories

Translucent alabaster in Aragon

About the colour of tabernacles until the beginning of the counter-reformation

The Whiteness of Profane Sculpture in 18th-Century Spain

Miscelánea

Why are women silent? Preaching Queens, Saints, and Nuns in the visual culture of the Golden Age

Hidden languages. Restoration and iconological study of an unpublished painting of «The Agony in the Garden»

Murillo and the North: the case of Michael Sweerts

The Marquess of El Carpio welcomes his visitors with a riddle: A Women Gallery in the reception room of «The Garden of Saint Joachim»

A temple of both fame and infamy: Portuguese emblems and satire during the War of Restoration

Three unknown works by José Risueño

A painting of the «Communion of the Virgin» attributed to Lorente Germán

Interventions in the Royal Chapel of San Isidro in Madrid during the 18th Century

Biographical data, work and style of Miguel Malmonge y Carranza (active between 1786-1806). On the «trompe-l’oeil» of a «Scrambled table with various objects, papers and a portrait of Charles IV, King of Spain», signed in 1806

A new history painting by Esquivel, present in «Contemporary Poets»

The Estebian Baths of Pompeii as scenographic heritage in the 19th Century Painting: The Attribution of Sorolla’s «baños»

Reseñas

Indépels, Louis (2024). «"El Jardín de las delicias". Un día en el mundo del Bosco»

«"Pedro Orrente. Un artista itinerante en la España del Siglo de Oro": una exposición necesaria» – Museo de Bellas Artes de Valencia (10 de julio-12 de octubre de 2025)

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