THE NAPOLEON III STYLE: THE STYLE OF OPULENCE
Abstract
The style developed under the reign of Emperor Napoleon III, both in the Decorative Arts, furniture and in the ornamentation of spaces, does not obey a design concept created specifically for the Second Empire, it is a recovery of different styles generated in France in previous centuries. It is not therefore an aesthetic born parallel to the Empire of Napoleon and Eugenia; is a compilation of the great French styles that in the past managed to create strong decorative trends both in France and in European courts.
Downloads
References
Bierman, John: “Napoleón III y su alegre Imperio” Edt. Vergara. Buenos Aires, 1991. Sagrera, Ana de: “La Juventud de la Emperatriz Eugenia” Edt. Compañía Literaria. Madrid, 1997.
Smith, William: “Eugenia de Montijo”. Edt. Espasa Calpe, Madrid 1991.
AA.VV.: “Un soir chez la Princesse Mathilde. Une Bonaparte et les Arts”. Silvana Editoriale & Palais Fesch, Museé des Beaux-Arts. Paris, 2019.
Gere, Charlotte: “Nineteenth Century Decoration. The Art of the Interior”. Edt. Weidenfeld & Nicolson. London, 1989.
Nouvel-Kammerer, Odile: “Napoleon III. Années 1880”. Le Mobilier Français” Edt. Massin. Paris, 1996.
VV/AA: “El mueble del siglo XIX”. Editorial Planeta-Agostini/Sotheby’s. Barcelona, 1989.
Kjellberg, Pierre: “Le Meuble Français et Européen”. Les Éditions de lÀmateur. Paris 2011.
Fleming, John: “Diccionario de las Artes Decorativas” Alianza Editorial, Madrid 1977. Kjellberg, Pierre: “Le Meuble Français et euroéen. Du Moyen Âge à nos jours”. Edt. Les Éditions de L’Amateur, Paris 2011.
Fonkenell, Guillaume: “Le Palais des Tuileries”. Edt. Honoré Clair. Arles, 2010.
Copyright (c) 2020 Fundación Universitaria Española
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Fundación Universitaria Española publishing house preserves the patrimonial rights (copyright) of published works, and encourages and allows their reuse. The works are published in the electronic edition of the journal under a license “Creative Commons Atribución/Reconocimiento-NoComercial 4.0 Licencia Pública Internacional — CC BY-NC 4.0”, and can be copied, used, disseminated, transmitted and publicly exhibited, provided that : a) the authorship and original source of its publication is cited (journal, publisher and URL of the work); b) are not used for commercial purposes; c) the existence and specifications of this license of use are mentioned.
The author / s partially transfer the property rights (copyright) of this work to the Fundación Universitaria Española (Spain) (NIF: G28433670), for the printed and online editions.
It also declares to have respected the ethical principles of research and to be free from any conflict of interest.
«C.I.H.» encourages the authors and the scientific community to the maximum promotion and dissemination of the works in their final version through:
1) Your list of contacts (emails) and social networks (Facebook, Twitter, LinkedIn ...).
2) Institutional repository of your University and public repositories (Mendeley, Cosis ...).
3) Scientific social networks (ResearchGate, Academia.edu, Kudos ...).
4) Personal or institutional website, blog, etc.
5) Google Scholar, ORCID, ResearchID, ScopusID, Dimensions, PlumX ...
6) Printed copies purchased directly and sent to specialists for reading and subsequent citation if appropriate.
For the nomination of future articles by authors of "C.I.H.", the impact of previous works will be taken into account, so that those with citation higher than the annual average of the journal will be preferred.
2.jpg){kind=logo}
1.png)
1.png)
1.png)
.png)
.png)
.png)
1.png)
1.png)
